Snowshoes and Chickens

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Finished one I started a while back, inspired by a trip to Donner Lake near Tahoe. The area has a gruesome history, but it sure is beautiful. And scary, too–my daughter did not want to go on the trails behind the cabin we stayed at. Just a little too close to complete remoteness for her, I think.

I just finished reading an essay in Wendell Berry’s collection Home Economics about this very subject: it’s natural to feel wary and apprehensive about pristine nature, even while being in rapturous awe of it at the same time.

He believes we feel most comfortable living with nature, not in it, and I have to agree. He mentions the ecological phenomenon of  “edge effect.” I live on those special margins that seem to bring out and nourish the health of the wildlife in the area–my garden and little orchard and “developed” land abut a big track of oak forest that covers the side of the canyon we live atop. I’ve seen more birds, animals, insects, etc. than I ever have immersed deep in the woods (fox, moles, squirrels, red-shouldered hawks, turkey vultures, crows, wild pigs, deer, swallowtails, western jays, finches, doves, owls, praying mantises, skinks, fence lizards, garter snakes, to name some).

That being said, Berry also talks about how we “need” wilderness, as much as a physical reality as an idea in our collective mind. I, for one, definitely feel that necessity to know that there are still wild, scary places out there, with creatures that could, in fact, kill us.

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Also finished another drawing, inspired by my girls feeding the chickens. They love to dig for worms in the compost pile and feed them to the chicks!

And I’ve been featured on the Doodlewash watercolor blog and community…thank you so much!

Work and Leisure…

…pretty much the same thing for me 🙂

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Working on a snowshoer. This one is inspired by Eyvind Earle, one of my absolute favorite artists. Our family recently went to Truckee around Donner Lake, and we did a bit of cross-country skiing. I hadn’t been skiing in 20 years, so I fell a lot in the beginning…but by the end, I had the hang of it!

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Don’t my kids look thrilled?

Also went hiking in Sunol, probably my favorite nearby park. And lucky for us, the Wildflower Festival was going on, so we brought home a mason bee house, some seed bombs, and some pressed flower bookmarks. I have a lot of pictures, a few of which I’m going to post later when they get uploaded, and many of these pictures are going to be interpreted into paintings. I’ve found that I really enjoy painting landscapes in the style I’ve developed.

I tend to get distracted by things and have been doing a lot of late night reading recently instead of more painting (which I want to do). I’m finishing up Wendell Berry’s The Unsettling of America: Culture and Agriculture, after just reading Bill McKibben’s Deep Economy: the Wealth of Communities and the Durable Future. I’m also getting into David Orr’s Earth in Mind…and I have to say, all of these books, while having Jacques Ellul’s The Technological Society, Merchants of Doubt, The Shallows: What the Internet Is Doing to Our Brains, Manufacturing Consent, and The Overspent American under my belt to name just a few, are not making me feel too optimistic about the future. But, these books are also getting me pretty fired up about teaching, and I hope after completing my credential program I’ll land an Environmental Science job.

Paradise Country Progress Pics

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A work that has been picked up again and again over the past few weeks and finally finished today! I always start with a rough picture in mind, but I never sketch it out. The foreground and focal points are the first to be paint-sketched in.

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Next comes the broad strokes and general shapes of the middle ground. I gradually build on these, adding more and more detail. I always take a step back and look at the painting after each layer I do.

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More detail and more interesting shapes are added. I wanted to add one deciduous tree for a load of OCD-like detail, just because it’s like therapy for me–when I can get lost for a few hours. I was going to put in a windmill to the right of the house, but the tree overtook the space a bit.

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Next I add the tree-topped mountains in the back, along with the night sky. The darker value of the sky really sets of the shapes set against it.

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And…finish up with the details of the details: chicken feather colors and patterns, greenish-gray rock foreground and middle ground, ground cover next to the house, and all the little details of the house itself (which I LOVE). AND I add the stars: first I just dot the already-colored sky with plain water, let it dry and bleed to make a very shimmery, translucent area. Then, I dot some of those spots with white acrylic, to really make a glowing effect.

I’ve really been rediscovering the differences between liquid watercolors, like Dr. Ph Martin’s, and tube watercolors, like Grumbacher or Daniel Smith or Da Vinci. Also, the quality of watercolor PAPER really makes a difference too!