A work that has been picked up again and again over the past few weeks and finally finished today! I always start with a rough picture in mind, but I never sketch it out. The foreground and focal points are the first to be paint-sketched in.
Next comes the broad strokes and general shapes of the middle ground. I gradually build on these, adding more and more detail. I always take a step back and look at the painting after each layer I do.
More detail and more interesting shapes are added. I wanted to add one deciduous tree for a load of OCD-like detail, just because it’s like therapy for me–when I can get lost for a few hours. I was going to put in a windmill to the right of the house, but the tree overtook the space a bit.
Next I add the tree-topped mountains in the back, along with the night sky. The darker value of the sky really sets of the shapes set against it.
And…finish up with the details of the details: chicken feather colors and patterns, greenish-gray rock foreground and middle ground, ground cover next to the house, and all the little details of the house itself (which I LOVE). AND I add the stars: first I just dot the already-colored sky with plain water, let it dry and bleed to make a very shimmery, translucent area. Then, I dot some of those spots with white acrylic, to really make a glowing effect.
I’ve really been rediscovering the differences between liquid watercolors, like Dr. Ph Martin’s, and tube watercolors, like Grumbacher or Daniel Smith or Da Vinci. Also, the quality of watercolor PAPER really makes a difference too!
I’ve become an early riser this week in order to get more drawing time in during the day. By the time early evening comes around and the sun starts to go down, I’m beat and I don’t want to do anything other than drink tea and read a book. So, all this week I’ll be setting my alarm clock for 6, maybe even earlier if this is a successful venture.
This past Friday, the girls and I went to Ardenwood Farm. I LOVE going to farms: so much inspirational material! The girls love the chickens and the goats, but my littlest is not very fond of pigs in the flesh–she loves the movie Babe, but stand her anywhere near a pigpen and she’s not a happy camper. I love them, though. They have the life (at least until they get to be optimum size).
I love going to this farm in particular because of the eucalyptus trees and old farmhouse with its cottage gardens and gazebo. I like the mix of plants: there are a lot of traditional cottage flowers, like irises and columbine and roses, but there are also a lot of tropical and subtropical specimens. I’m planning a drawing of a cottage garden for sometime in the near future–they are just so magical. You can almost see the fairies fluttering around the leaves and petals!
I need to find my little Canon Elph camera for our next excursion. I like that better than using my phone, and combined with a little Photoshop Elements, I really like how the pictures turn out.
Hopefully will finish the “Stillness” drawing this afternoon!
THROUGH the ample open door of the peaceful country barn,
A sun-lit pasture field, with cattle and horses feeding;
And haze, and vista, and the far horizon, fading away.