Paradise Country Progress Pics

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A work that has been picked up again and again over the past few weeks and finally finished today! I always start with a rough picture in mind, but I never sketch it out. The foreground and focal points are the first to be paint-sketched in.

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Next comes the broad strokes and general shapes of the middle ground. I gradually build on these, adding more and more detail. I always take a step back and look at the painting after each layer I do.

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More detail and more interesting shapes are added. I wanted to add one deciduous tree for a load of OCD-like detail, just because it’s like therapy for me–when I can get lost for a few hours. I was going to put in a windmill to the right of the house, but the tree overtook the space a bit.

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Next I add the tree-topped mountains in the back, along with the night sky. The darker value of the sky really sets of the shapes set against it.

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And…finish up with the details of the details: chicken feather colors and patterns, greenish-gray rock foreground and middle ground, ground cover next to the house, and all the little details of the house itself (which I LOVE). AND I add the stars: first I just dot the already-colored sky with plain water, let it dry and bleed to make a very shimmery, translucent area. Then, I dot some of those spots with white acrylic, to really make a glowing effect.

I’ve really been rediscovering the differences between liquid watercolors, like Dr. Ph Martin’s, and tube watercolors, like Grumbacher or Daniel Smith or Da Vinci. Also, the quality of watercolor PAPER really makes a difference too!

Genius–Guiding Spirit

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Finished a painting I started a while ago! This color palette was one of my favorites when I first began the piece. Using middle-grade cold-pressed watercolor paper, and I can definitely tell the difference between this and my normal Arches (the best!). But it still works pretty well with the tube watercolor pigments.

I notice that when I’m working with the mid-grade paper and Dr. Ph Martin’s liquid watercolors that the paint tends to bleed a lot more into the individual fibers of the paper. I’m working on a bigger painting where I only used the liquid watercolors and will post about that later–how the qualities of those differ from tube watercolor pigments.

I decided to name this one “Genius,” and the animal is supposed to be that–a guiding spirit. Potentially part of my oracle deck…still a long way to go with that project! And I still have a whole backlog of paintings I have to finish and a picture book I’d like to complete. Just need to take it day by day…